Eros and After: Pleasure & Pain in the Early Films of Alain Robbe-Grillet

It’s almost here– just days away! I’ve never been busier and more exhausted but I’ve learned a lot throughout the process of planning my first art exhibit. It’s been quite a whirlwind and I can’t wait to finally construct this fantasy-come-to-life on Saturday morning. There will be clips from Alain Robbe-Grillet‘s films playing at Holyrad Studio as guests weave their way through my paintings (most of which will be available for purchase). There will be a reception and film screening of Robbe-Grillet’s film Trans-Europ-Express at 7pm. For frequent updates, please check out our Facebook event page (and invite all your friends, of course!). Nibble on some cheese with crackers and enjoy the wine that will be served!

TRANS-EUROP-EXPRESS

TRANS-EUROP-EXPRESS

Imagine my shock and exhilaration when I discovered that Catherine Robbe-Grillet, Alain Robbe-Grillet’s widow, the most famous dominatrix in France and writer of erotica, will be in NYC the week of my show! She will participate in FIAF NY‘s The Art of Sex & Seduction series on Oct 7, just days after my show. Get your tickets now. If you attend my event, I strongly encourage you to check this out as well. 

Alain Robbe-Grillet and Catherine, 1959.

“Get a glimpse inside the secret ceremonies and sadomasochistic rites of France’s most notorious dominatrix. A screening of provocative highlights from La Cérémonie and Le Contrat, Lina Mannheimer’s documentaries about Catherine Robbe-Grillet, will be followed by a rare appearance by Madame herself.

The modern-day Marquise de Sade and Beverly Charpentier—the woman who gave up her freedom to serve her—will talk with author and journalist Toni Bentley about their love, friendship, and rituals.” – FIAF

Before you go, read Robbe-Grillet’s marriage contract of “conjugal prostitution” written in 1958– though Catherine never signed it. Also read Catherine’s sadomasochistic erotic novel The Image, which was published under the pseudonym Jean de Berg in 1956. Radley Metzger adapted it into his 1974 film of the same name which can be seen on Fandor (you can view all the Robbe-Grillet films that inspired my paintings there, as well.) It’s resplendently graphic, mouthwatering and arousing.

The Image

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